OMD goes to Manila

(street scene in Manila) NOTE ABOUT PROCESSING:  All images here are shot on the Olympus OMD with various prime lenses.  They were then all processed in Lightroom 4 with 1 click presets from 'VSCO film 02' using only their Fuji Superia 800 for colour or Fuji Neopan 1600 settings for black and white.  These are my favourite film simulators and make any digital camera RAW files sing instantly with 1 click.  More information can be found here at the VSCO website on these presets.

So, after a successful trip to Cambodia using the Olympus OMD  the previous week, I decided another trip was in order, this time the other direction from Hong Kong, heading South East to test the EM-5 on the streets of Manila in the Phillipines.

Now some things must be mentioned about Manila for any budding photographers wishing to travel there.....BE CAREFUL.  As much as I liked the city, for sure there is a lot of things that could easily go wrong here....some of the poorer parts of the city are for sure totally unsafe for westerners to venture into alone, and carrying expensive camera gear around is only going to attract unwanted attention.  Like many other places I have visited you must stay streetwise, don't flash expensive gear, leave your nice watch at home and most of all use common sense.  Walking around at 2am in a poor neighbourhood in Manila is going to end in tears for sure....

(Traffic wardens in Manila....ummm whats the point...)

The first thing I noticed when walking around various parts of Manila was the traffic.....it seemed there was complete chaos on the roads, not dissimilar to Hong Kong at rush hour, only here it seemed to be the same all day long....so i chose the best options of transport, my own two feet :-)

When I did travel between districts I used the famous 'Jeepney' buses that can be found everywhere, they are great fun to drive around in, extremely cheap and provide good photo opportunities from the back door, open windows and even of the people inside.

The first day I was in Manila I was lucky with the weather, the light was great, it was hot, just a nice afternoon for strolling around exploring the city.  Lunchtime is clearly siesta time in Manila with people strewn all over the place getting an afternoon nap, kind of reminded me of my parents place in Spain where the same thing happens every day.

(siesta time in Manila, its sleep, read or relax...)

The few people that weren't asleep were having an easy time playing board games in the street.  This kind of place was helping me relax a lot even after a few hours, as I always compare with Hong Kong, which seems to be really non-stop (part of the reason I love to escape as often as I can), you really don't see this kind of lifestyle in Hong Kong, despite the heat, people are running around at full pace 24/7, at least in the inner city where I work and live, so its really nice to see people taking time out and 'smiling'!!!

(A lovely lady who was more than happy to pose for photographs in the street)

Like most asian cities, the streets were full of children playing and kids always make great subjects for me, they are innocent yet their faces tell a thousand stories, something i noticed recently when shooting a scene in Hong Kong was that everyone in the scene was just going about their business apart from 3 kids in the scence, all of them were looking directly at me....maybe kids would make the best street photographers...as they are very very aware of their surroundings and dont miss a trick :-)

(happy kids (and dogs) playing in the street in Manila)

Of course some people view photographers a little more suspiciously, but despite that, a big smile and a handshake go a long way, and as usual, everyone I met and befriended were absolutely fine being photographed.  Even the gangster looking dudes who try to look 'tough' guy tend to break a big smile when I show them their photo and tell them they look like 'James Bond'....flattery gets you everwhere...

(locals in Binondo district, Manila)

The variety of people and colour around the city really attracted me, it really is a bustling metropolis and a great photography location.  As I mentioned earlier discretion is the better method with camera gear (as is pretty much anywhere in my experience), so using the little Olympus OMD was actually perfect (yet again), as it allowed me to shoot discreetly from the hip using the touchscreen with its super fast autofocus.  This is the 2nd time I have used it travelling in a month, and it didn't skip a beat at all, ultra reliable....I thought I would miss my Leica M9...but if I'm honest, this thing is far more functional, never ever stutters like the Leicas do (thats a simple fact that sometimes the M9 just won't react when you press the button...) and the image quality is amazing, of course not superior to a full frame camera...but most of our work is going on the internet or medium sized prints, I am quite positive to 99% of people, there is no visible difference in image quality, and those that think they can tell a difference on a processed image (especially at web size images)....well their name is Pinnochio I'm afraid....

(diverse characters around town, security, driver, and the oldest paperboy!)

A quick note again on the presets that I have used to process these images, they are from VSCO, and are the simplest and most powerful presets you can get in my opinion for Lightroom, ACR or Aperture.  They really do emulate the film looks well....how do i know this....because I shoot a fair bit of these exact films on my Mamiya 7ii and my Contax G2 and scanned files have very similar tones and characteristics to these digital files once processed.....so if you are looking for a filmic simulator that takes seconds to process your RAW files, these are worth a look for sure.

(Processed with VSCO Fuji Neopan 1600 or Fuji Superior 800 settings)

Whilst I was in Manila, I did some shooting in a very poor area called Ulingan in Tondo, probably the roughest and most dangerous area of Manila, the reason being I want to work with a charity there called Project Pearls, and I will be heading back to Manila now that they have made contact in a few weeks to do some video work with them.  You can see the blog post and video of the images shot there last time at this link, its really quite amazing to see the resilience of these people who live and work there.

For other posts I have written recently with images of the OMD please see the links below:

LINK TO BLOG POST: OMD shooting in Ulingan, Tondo, Manila

LINK TO BLOG POST: OMD goes to Cosplay event in Hong Kong

LINK TO BLOG POST: OMD goes to Cambodia

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Me and my Mamiya 7ii

(50mm,(25mm equiv) - I turned to see this girl who was watching what I was doing)

On my crusade to find the perfect medium format camera over recent months, I think I may just have found the holy grail - The Mamiya 7ii.

Until recently, I had only been shooting film on the Leica M6 and a Rolleiflex for medium format.  Now I REALLY love my Rollei, don't get me wrong, but sometimes I struggle with the square format, I just find it difficult to 'see' in 6x6 format, therefore the search started for something a little more traditional format, but as usual I wanted a super lightweight camera (like the M6) that could deliver outstanding image quality...

As I am no expert on film cameras as have been purely digital for many years, I was unaware of all the options available, then I started to learn about the Mamiya 7ii, a rangefinder....lightweight, with 6x7 format....hmmmm....this sounds too good to be true, so I started doing some more research, and it seems this camera is very highly regarded amongst those that use it.

The winner factor for me is size...its half the weight of a hasselblad, but has a bigger negative (6x7 as opposed to 6x6), and for me a more useable format.  The lenses are second to none in optical quality, they make my Leica lenses all look soft in comparison.  Granted, they are only F4 lenses, but this is not an issue with such a big negative size, and you cannot compare an F4 lens for this format to a 35mm format, as depth of field is not comparable.  In effect, your focal lengths of each lens are halved, i.e. an 80mm lens is approx a 40mm lens in 35mm format, therefore an F4 lens can give you a depth of field not too disimilar to F2 (hope this makes sense...)....This is one of the reasons they don't need to make faster lenses, if you had an F1.4 lens on this format, depth of field would be so slight that you would struggle to ever get anything in focus.

The lenses I use on this system are 50mm (25mm equivalent), 80mm (standard lens, 40mm equivalent) and 150mm (75mm equivalent), which I think covers all bases, wide angle and architecture, standard lens and 3/4 portrait/headshot lens.  All of this kit fits easily into a small 'Think Tank Retrospective 5' shoulder bag (the same bag I carry a 4/3 system in), and I am quite sure there is no other interchangeable medium format kit on the planet that can take up so little room and produce such big results.

Also worth noting are that the lenses use leaf shutters, which means near silent operation, and minimal vibration when shooting, hence handheld shots at lower shutter speeds are much more useable than with a DSLR rig.

(My friend Bernhard shooting inside Man Mo Temple - 7ii light meter coped easily with this scene)

I have read on some other blogs whilst researching that the Mamiya 7ii light meter is not the best, and not always accurate.  I can only speak from my own experience and that is the light meter has been spot on for me every time I used it.  I went and bought a separate light meter as I expected to get inconsistent results, however, after shooting a few films in different lighting, I can say that the meter is as good as any camera meter I have used before on any other system and gives me no reason to use an external meter in any situation I have been in thus far.

I shoot a lot on digital as I said before, and I spend a fair bit of time tweaking images with black and white conversions to get just the right look for that particular image in Lightroom 4 and Silver Efex Pro 2.  Thats fine and thats all very necessary with digital RAW files, however, something I love about using different films is they all have a very different aesthetic to them, and all the images you see here on this blog post are unprocessed, just scanned in on my Epson V700 using Vuescan software.  So these are as they appear on the negatives, which is what gets me excited, I strive to get similar looks to this with digital, and the truth is it just isn't posible to replicate it exactly.  For one, the dynamic range of film is far superior, keeping highlight details on film is simple compared to digital, which allows for far greater range in lighting in scenes, something i had forgotten about until my return to film, I really hadn't taken much notice of how much I was losing with digital images.  On a recent trip to Cambodia, a friend of mine shot a very similar image to the one below, he was using 5DIII, and the highlights on the metal roof were blown away if he exposed for the man.....the difference was quite apparent how much more dynamic range the film could handle in this light.

(Highlights were retained on the reflective roof)

(Another example of how highlight and shadow details are easily retained, and how sharp the 50mm lens is...)

I think there is room in all our camera arsenals to shoot both digital and film, digital will always be my standard method these days, for sure, but I like the way film images look, the different characteristics of each film, and perhaps the most important thing for me is the way I actually shoot when I use film....it slows me down, right down.  With 120 film on the Mamiya you only get 10 frames per roll....thats not a lot....so you cannot shoot the same way as digital, you have to think much more about each frame, slowing yourself down, and that is always a good thing in my mind.  The other thing I love about shooting this is after I go home or back to the hotel if abroad, I put the camera and films away and relax....I don't then sit down in front of a laptop and start phase 2 of several hours of picking, rejecting, editing, uploading......it isnt possible until the films are developed and scanned....so I get some of my own personal time back too....its a win win situation.

(I shoot much slower with the Mamiya....thats a good thing....slowing myself down :-)

I have re-learned to develop my own film at home in the kitchen, which again adds an element of fun to the whole process...I probably trashed 25% of the first films i shot as I had some 'issues' loading films in a change bag, but this all adds to the experience, and just gives a very different feeling to the final images.

I had some prints made a few weeks back from the 6x7 negatives, and the results are nothing short of spectacular, the resolution, detail and sharpness I can see in these images cannot be compared to any digital 35mm system, its far superior in many ways.  Now I haven't used medium format digital so I can't speak for that, but one thing I know for sure is the cost alone of getting into medium format digital is no joke, and out of reach for many (myself included).

Here are some more samples from this amazing camera system, all scanned on the Epson V700 with no other corrections.

I have recently discovered the Contax G2 also.....another amazing little camera, this could be the 35mm rival to the Mamiya in terms of quality.  My thoughts are that if you are a photographer currently shooting digital and what to broaden your horizons, then take a serious look at a small film camera.  You will approach your shooting in a different way, which can only enhance your experience.

Happy shooting!

(Fuji colour slide...love it)

(Behind the scenes on recent Cambodia expedition)

(Very slow shutter speed in low light - no problem for leaf shutters)

(The 50mm lens - 25 equivalent, perfect for interiors or close up wide shots)

(The 150mm lens - 75mm equivalent, ideal portrait lens on the Mamiya 7ii)

(Temple complex close to Phnom Penh - Cambodia)

(The Mamiya 7ii - the perfect rangefinder camera?)

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

OMD goes to Cosplay

(Olympus 75mm 1.8, 1/200 @ f3.2, ISO 200) (This image above is the only one from the set that I have linked a full size version too, so any pixel counters who want to look at it full size click this link...this for me shows how good a 4/3 sensor can resolve detail).

So, after a few weeks of extensive travel photography around Cambodia and Manila in the Phillipines, we are back to Hong Kong and found out about the Cosplay exhibition held in Wanchai Exhibition Centre, so thought we'd put the Olympus OMD to more tests using slightly longer lenses than normal, focussing more on portraits, rather than street or environmental shots.

The lenses of choice for this shoot were the Panasonic 25mm 1.4, Olympus 45mm 1.8 and Olympus 75mm 1.8.  Remember all focal lengths are doubled for their 35mm equivalent value.

All I can say about using this camera for portraiture is 'wow', it keeps on surprising me, no matter what I use it for....I wasn't sure what to expect with tight portraits, how much detail would the 4/3 sensor resolve...all I can say is that the sensor is simply amazing, especially when combined with these high quality (but reasonably priced) prime lenses.

(Olympus 75mm 1.8, 1/500 @f1.8, ISO 320)

Another thing that the Olympus OMD seems to do well is 'colour', and I thought the Cosplay event would be a great place to showcase this with all the variety of coloured outfits and wigs, and for sure, I hope these sample images I have posted here show that.  They have all had minor contrast and levels adjustments only in Lightroom 4, no other editing was required and in 99.9% of the images, white balance was not changed at all, so this shows the RAW files coming out of the OMD have already great white balance.  Of course with RAW files this wouldn't be an issue as all white balances are embedded so its a 1-click change to fix any issues, but not having the issue in the first place is always reassuring.

(Olympus 75mm 1.8, 1/200 @f2, ISO 320)

(Olympus 45mm 1.8, 1/320 @f2.8, ISO 320)

Details captured in the eyes and hair when shots are tight portraits like these is truly great for a camera of such small size.  I know I keep blowing its trumpet talking about how good the camera is, but at this stage (1st August 2012) I can honestly say from all the cameras I have used and whats available on the market currently, there is no better choice if you are looking for a small system to replace or enhance a DSLR rig.  Its affordable, robust, has some of the best glass I've ever used on any system (including Leica), and is just above and beyond anything else available.  This is of course just my opinion formed by lots of usage of various rigs, I am in no way related or sponsored by Olympus or any other camera manufacturer, this is just a working photographers honest opinion at this current time.  I hope another camera is released that kicks its ass, good gear means the competition level has to rise and other manufacturers need to produce the goods to stay in the running.....and for sure this time all the others in this category (and many categories above 4/3 better be opening their eyes and looking very hard at what Olympus has got so right).

(Panasonic summilux 25mm 1.4, 1/2000@f1.4, ISO 320)

(Panasonic summilux 25mm 1.4, 1/400@f2, ISO 640)

Here are some more images, all captioned with the relevant lens from the event....I still have no idea what Cosplay is...I'm guessing its some tribute to Japanese cartoons, excuse my ignorance.  Regardless of that, its a great subject full of interesting characters who were all more than willing to be photographed.  Apparently this Cosplay stuff can be found in abundance in Japan.....next stop Tokyo :-)

(Panasonic summilux 25mm 1.4, 1/320@f2.8, ISO 320)

(Olympus 75mm 1.8, 1/640 @f2, ISO 400)

Unusually for me, I hardly used the wide lenses when shooting around this event, there were a lot of messy backgrounds as the place was packed full of people, which made it difficult to isolate subjects with any wide lenses, I think these were the only 2 shots that I liked with the wide lenses, one indoor and one outdoor.

(Olympus 12mm 2.0, 1/200 @f2, ISO 800)

(Panasonic summilux 25mm 1.4, 1/40@f2, ISO 640)

(Olympus 75mm 1.8, 1/1000 @f2.8, ISO 320)

(Olympus 75mm 1.8, 1/800 @f2, ISO 320)

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Ulingan Charcoal Factory, Tondo, Manila

This is a short video slideshow of stills images and sound that I shot last week at probably one of the visually worst slums I have ever visited in my life. I suggest to view it, you click the box at bottom of the video and change to 720 HD and then click fullscreen to view it in best quality, crank up the volume, hear the sounds of the place with the music.

All of these images are shot on the Olympus OMD.

(If the video doesn't appear first time here, just refresh the page and it will appear).

I became aware of this place in Tondo, Manila after seeing some footage on a website which I have copied below, if you feel you want to get involved, please visit their site, as they for sure are trying to do great things for people in a very desparate situation.

The name of the charity is Project Pearls, and their website is below:

www.projectpearls.org

Guest post: Down under in Phnom Penh (Dave)

Note:  This post is written and all photos by Dave Grady who came from Australia for one of our Hong Kong workshops then travelled to Cambodia with us.  Dave shoots with a combination of Leica M9P, Sony NEX 7, Nikon V1 and Canon 5D Mk III rigs.  This is his story.

(Boat boy crossing the Mekong)

In July 2012 I was fortunate enough to attend F8 Photography's documentary photography workshop in Hong Kong.  Just prior to attending the workshop I was also invited to go along with Gary, Giles & Steve to Cambodia directly after the workshop to practice some new found skills, an offer I couldn't refuse.

After attending the documentary workshop which broadened my mind and the way one can approach photography (picking a theme and shooting a series of shots rather than just looking for  one shot), and then spending my last day in Hong Kong with Gary while he shot editorial work on a 1 million dollar yacht, I barely had time to pack and we made our way to Phnom Penh on the early morning flight direct from Hong Kong equipped with an Leica M9, Sony Nex 7 and  Nikon V1.

Having just been to remote areas of mainland China, some of the scenes I'm seeing are familiar but in general it's very different to what I'm used to seeing in Sydney.  The traffic is chaotic yet flowing at the same time, People walking all over the place carrying who knows what, families cramping up on one scooter (up to 6 people on 1 small scooter) and the little shops on the side of the road and the mobile street vendors all made for a very interesting drive to our hotel. It was evident very early in Phnom Penh that Cambodia is not a wealthy country but was amazed at how friendly and happy people were.

We arrived at our hotel that Gary had organised for us which was really nice, we dropped off our gear and jumped on a tuk tuk (my first tuk tuk experience) and made our way to the riverside bistro which became our regular watering hole for the rest of the trip, after a brief nap and swim at the hotel pool (which was great for mid/late afternoons after shooting all day) we made our way out for a walk along the riverside were we came across what i'm guessing is a daily ritual where people go to a small temple to pray with people around selling flowers, candles and birds which I believe are offerings to the Gods. This event made for good photography with lots of people around to shoot and lot's of stuff happening everywhere.   This was my first real chance to shoot in Cambodia and was really surprised and taken back by peoples willingness to have there photo's taken especially with kids which is a big no no in many western countries.

(Nikon V1, 10mm)

The next morning we met up with Gary's translator and our tour guide/tuk tuk driver Sammy (Samedy) and off we went to Mekong Island, after a short ferry ride across the Mekong river we arrived and stopped at a small shop to get supplies for the day and pick up a few Krama's (traditional Cambodian scarves).

(Dave modelling his new Camodian scarf on route to Mekong Island)

Mekong Island is a small remote area across the river from Phnom Penh, it's not an area tourists would normally visit and the same goes for Phnom Penh locals many hadn't even heard of the place let alone been there.  What I saw of Mekong Island consisted of 1 small dirt road with houses on 1 side and the Mekong river on the other, It was however full of photo opportunities.

(Leica M9P)

We met lot's of nice people alongside the road who were more than willing to have there picture taken, A little girl who waved at us even motioned for us to go into her families yard where we spoke to her mother and took photo's of them both. The one person who will stay with me for a long time was a blind man in a small shack who allowed us to take pictures of him, after which Steve got out a $20 note (usually we would give a $1 or $2) and gave it to him, after finding out the value through Sammy who translated for us just seeing his reaction was truly priceless he was so gracious and had many nice things to say.

(Blind villager)

(At the female monastery)

(Dave (right) and others from the team offering rice to the Nuns on our arrival)

Moving on we then arrived at a Women's monastery which was in the middle of nowhere and you would never know it was there unless you were with someone who knew about it. This place was very peaceful and had some amazing statues all throughout the monastery. We spent around an hour just wondering around just taking everything in and taking photos of the many statues and Monks who were more than happy to have there photo's taken. After we had all finished walking around it was mid afternoon and we were all hot and hungry so back we went to the hotel for a swim and lunch.

The next day we had a few different options but we decided on going to a temple complex about 45 minutes from Phnom Penh, It was quite a long ride on the tuk tuk and when we finally arrived.  As we walked around and looked at the temple you could easily be mistaken and think you were in Angkor Wat.

(Temple complex outside Phnom Penh)

This place made for some great landscape, texture and portrait shots, 1 old lady we found between the 4 of us we must have shot 3-4 rolls of film and a couple hundred digital shots, she just had this amazing face to shoot close up portraits, it had so much detail from all the wrinkles & damage from the sun over many years.

(102 year old Temple Minder)

This place was also very peaceful and was very nice just walking around taking a photo here and there.  While it was a long way out and back it was well worth it, everybody who I mentioned that I'm going to Cambodia all asked if I was going to Angkor Wat and everyone was shocked when I replied 'no', but at Angkor we would have been competing with thousands of other tourists to walk around and take photos whereas here it was just us and a few locals. It may not have been as grand as the temples at Angkor but it gave us a taste of what they are like and we were able to get shots we'd never get at Angkor.

On our final day we decided to visit a slum on the railway a place Gary has been before and suggested as a place to check out to get a real view of some of the poverty that exists here. When laying eyes on this place it hits you pretty quick how poor this place is, It's an old abandoned train yard with many old carriages just sitting there rotting and being used to dump trash and all sorts in.  Making matters worse this huge state of the art Cambodian government building can be seen right behind within 1km from this train yard. I was a little worried how people will react to us showing up there and taking photos, but everyone seemed really nice and friendly and it turned out to be a very interesting and humbling experience.

(The entrance to the railroad slum)

(The modern government buildings just a few hundred meters behind the slum...)

(Railroad families)

Hearing stories from the locals like the lady who was sewing making shirts and how she gets 2 cents for every shirt she makes and seeing the conditions that they lived in were really eye opening especially for myself who hasn't seen this sort of thing before, yet they all seemed happy and the kids were over the moon when Steve bought them all Ice blocks.

(Our team at Mekong Island (L to R: Steve, Gary (F8), Giles and myself) 

In conclusion I had an amazing time and it was a great experience. I was able to get some great photos which I'm very happy with. Phnom Penh was very much a culture shock for me, a lot of it I have touched on but the things that will really stick with me is how chaotic yet organised it is,  I was blown away by how friendly everyone is and there willingness to have there photo taken especially kids. Also just seeing people living in dire conditions yet seemed to be happy and got on with life. This especially hit me hard and really made me think about the way I live and work on certain ways to improve certain aspects of it.

 

(Me relaxing at our watering hole on the riverside)

 Lastly I'd like to thank Gary for organising the trip he got us a great hotel and took us to some great places, Steve & Giles it was a pleasure hanging out and shooting with you guys & Sammy and Kanja for taking us around and translating for us.

Final note from F8:

Gary, the Director of F8 has also written a blog post about his experience, that can be seen by clicking here.

Guest blog posts written by Steve who also came along can be seen here:

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Guest Post: Shooting in Cambodia with F8 (Steve)

Note:  This post is written and all photos by Steve Porte who recenly travelled to Cambodia with F8.  Steve shoots with a combination of Mamiya 7ii film camera and Canon DSLR rigs, this trip he used the Canon rigs, this is his story. - Gary Tyson, Director F8 Photography. 

(Steve with the friendly locals which make Cambodia such a great place to be)

Several weeks ago, I traveled to Cambodia with F8 Photograhy owner Gary Tyson and two other photographers.  The aim of our trip was to spend 4 days shooting in and around Phnom Penh.  Here are my thoughts on that trip...

Cambodia is a wonderful place to visit.  There are good connections from most regional cities.  The Cambodian e-Visa is a user-friendy, online system, that really makes the immigration process simple and inexpensive.  Accomodations, ground transportation, and food are very  reasonably priced, but there are plenty of up-market offerings for those so inclined.  But what makes Cambodia really special is the people.

(Kids were fascinated by the digital cameras)

Everyone we met - from service staff, to shop owners, to people on the street - was warm, friendly, and kind.  There is an inner tranquility about the people that translates into a vibrant but peaceful atmoshphere.  It only took us about three hours in country to unwind from the hectic pace of Hong Kong.

(Typical greeting, 5D Mk III, 100mm)

(Dignified villager, 5D Mk III, 100mm)

For photographers, it gets even better.  Everyone has their own particular criteria, of course, but most would agree that the two basic requirements for producing good images are good light and interesting subjects.  Cambodia has  both in abundance.  The air is clean, and the light is soft and beautiful.  Even at mid day, we found the light to be less harsh than in other locations.  The quality of light is hard to describe, but easy to see when you're there.

(Steve shooting with his trusty Canon rig)

(Quality of light at 11:30 am, 5D Mk III, 100mm)

(Quality of light at 1:10 pm, 5D Mk III, 100mm)

There is also an endless variety of subjects to shoot - pastoral countryside, vibrant city life, quiet villages, interesting infrastructure, and, of course, the people.  What I enjoy most is documenting daily life and local culture.  For me, Cambodia is as good as it gets.  The developing infrastructure offers a wide variety of interesting subjects, and glimpses of a life quickly disappearing in many regions.

(Traditional fishing, 5D Mk III, 100mm)

(Ferry traffic jam, 1D Mk IV, 25mm)

The local people were the highlight of the trip.  They were warm, good natured, camera-friendly, and, to me, beautiful.  Their warm and dignified character shone through - from the youngest child to the oldest villager.  Virtually everyone we met was happy to be photographed and met us with direct eye contact; usually happy, sometimes somber, but always engaged.

(Village girl, 1D Mk IV, 35mm)

(Temple minder, 5D Mk III, 100mm)

Cambodia is relaxed, and rich with photo opportunities.  The F8 crew travels well, and has a good working knowledge of local venues.  Gary is a highy skilled and experienced field photographer.  He has a knack both for capturing high quality images, and for helping others to develop their own photographic skills.  Cambodia would make a great classroom, but, workshop or not, I'll be returning soon....

Final note from F8:

Gary, the Director of F8 has also written a blog post about his experience, that can be seen by clicking here.

Guest blog posts written by Dave who also came along can be seen here:

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Olympus OMD goes to Cambodia

(Gary in the railroad village with the locals outside Phnom Penh with OMD and Mamiya 7ii)

So here we are again, back to the glorious backdrop of Phnom Penh, Cambodia, this time bringing a different camera system - The Olympus OMD for a 4 day field test.

This blog post is not an all out review of the camera system, I'm not a techno-phobe, this is a real world usage review and highlights of my thoughts on the camera system in a fast changing environment and for close up street and travel photography...you won't find any MTF charts or detailed lens analysis....just images that I shot and my thoughts on them :-)

The last time I visited Cambodia I shot only the Leica M9, as I had shot here several times with full Canon DSLR systems and wanted a smaller rig to shoot travel photography with, and the Leica was a perfect fit...albeit the seriously expensive option.

The Leica system is hard to beat (some say impossible), so the bar was set very high, I have achieved some fantastic results with my Leica M9, therefore I already had an unfair comparison level in my mind...but I thought if a camera is going to succeed in 2012 and beyond, it needs to raise the bar and match some of the already outstanding options available to us.

With this in mind, I wanted to test some other rigs out to replace my Leica rigs for street photography and lightweight travel photography.  I had tried the Fuji XPro-1 a few months ago, and have written some positive thoughts on that camera system, but after extended use I must admit I found the autofocus to be a little slow and inaccurate at times for my liking, even though the image quality was great.  Therefore that camera was moved on and I was back to using Leica again.

Anyway, the only remaining system that attracted me was the new Olympus OMD, with a selection of the already proven prime lenses available from Olympus and Panasonic.  So the day before we flew to Cambodia I picked up a kit, camera, grip, 12mm f2, 20mm 1.7 and 45mm 1.8.  I figured this should cover most of what I need, and I tend to shoot a lot very close up, so I assumed the 12mm lens (24mm equivalent) would be spending most of its time on the camera.

One of the features that I was initially unsure of with the Olympus OMD was the touchscreen for shooting....At first I thought this was a bit of a gimmick, as I'm a traditional style photographer who likes to look through a viewfinder (I don't care much for EVF either....), so I didn't think I would like the touchscreen feature, especially for shooting.

However, I am a changed man, the touchscreen shooting feature - the ability to compose, focus and shoot almost instantly using only the screen has completely revolutionised the way i shoot with this type of camera.

(using the touchscreen to shoot...image shot below)

I learned the cameras menu systems, and setup it all up how I wanted on the 2 hour flight from Hong Kong to Phnom Penh, without the manual (I never read manuals), so that was easy to do, this helped me warm to the camera once I had it all set up how I wanted, disabling a few features, and programming others to the function buttons to suit my needs.

(First image I took on the OMD, 12mm)

This first shot above was the first time I had tested the touchscreen, which allows you to literally just press wherever in your composition you wish the camera to focus and then shoots....this happens almost instantly, so its a great way to capture a scene or a portrait without having to raise the camera to your eye...its kind of like shooting using zone focussing from the hip...except you take away all the problems that method has (misfocus, composition issues, etc), so in reality this could be the perfect street camera for me.

Because there are very few cameras with this technology currently, I believe that nobody at any stage during my trip there actually had any idea what I was doing when I was shooting in this way....even if I approached them and requested to take a picture, once I was done they would still stand there waiting for me to start....I like that, as then I can capture a more natural image with no barriers.

(local villagers on Silk Island, 45mm) (elderly lady on Silk Island, 45mm)

Using the longer lens (45mm - equivalent to 90mm) was also great fun, as I had the same control as with the wide lenses to capture tight portraits without having to raise the camera.  Another thing that has amazed me, having only used this system for 2 weeks now is how sharp the lenses are.  I am used to Canon gear for work, which is great...and Leica gear for travel/street which can be phenomenal if you get the right lenses....however...in all honesty for the price of these lenses (some as low as only a few hundred US dollars) their performance is amazing...I couldn't ask for sharper images, and that coupled with super fast and super accurate autofocus...i just love this camera more every time I pick it up.

(school kid hiding under a desk, 45mm)

(local school in Phnom Penh, with super friendly staff and kids, 45mm)

However, as mentioned earlier, I am happiest shooting close up with a wide lens (normally a 24 or 25mm lens, so the Olympus 12mm (equivalent to 24mm) was always going to my new best friend on this camera, and to be honest, this lens was the reason I bought the system in the first place...).

Below are a further selection of images I shot there over a 4 day period with the various lenses.  I think as this was the first week I had used the camera, I was more than happy with how it performed and the quality it produced.  The main thing is that I haven't missed using the Leica, despite it being my workhorse camera for the last several months....this tells me something....I'm not saying one is better than the other, as I still think the Leica M can produce amazing photographs, however if you want a system that can give you a lot of the portability and loads more technical gucci features than any Leica....and you don't want to remortgage your house to afford the system....then maybe the OMD is worth a very serious look.

(using touchscreen again and getting nice and close with the 12mm lens)

(on boat roof on way across the Mekong River, 12mm)

(children on Sisowath Quay, Phnom Penh, 12mm ISO 6400) (sleeping child, railroad slum, 12mm)

(railroad slum, Phnom Penh, 12mm)

(monks at the riverside, 12mm)

(Pagoda Boy, 12mm)

(Rush hour, early morning, 45mm)

(villagers on Silk Island, 20mm)

(102 year old female temple minder, 20mm)

(railroad slum kids, 20mm)

(railroad slum kids, 12mm)

(railroad slum kids, 12mm)

(railroad slum kids, 12mm)

(Our little gang of photographers, L to R: Giles, Steve, myself and Dave, 12mm)

Guest blog posts on this trip from Steve who accompanied us can be read here:

Guest blog posts written by Dave who also came along can be seen here:

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Tsim sha Tsui at 0.95 in low light

(The back alleyways on Chunking Mansions, great light always) Note: All shots on the Leica M9 with SLR Magic 50mm 0.95 hyperprime.  All processed with VSCO Film Presets in Lightroom 4.

Tsim sha Tsui is one of my favourite places to shoot in Hong Kong, you have the diversity of rich and poor all in a very tight community, with alleyways connecting the designer shop streets the the drug dens and everything in between.

I have been testing the SLR Magic 50mm 0.95 lens for a few weeks now, and am thoroughly enjoying the experience, and again this was my weapon of choice on the M9 for some nice grungy low light portraits and street images around this interesting part of Kowloon for a few hours last night as I tried to escape the mayhem and overspill from the Rugby 7s tournament on Hong Kong Island.

(A very friendly gentleman with his grandson)

The characters around this part of town range from the super rich, shopping along Canton road, laden with bags from Gucci, Dolce & Gabbanna and the likes...to the homeless and everything in between.  This is a normal reflection of Hong Kong life in most parts of the city actually, this diversity makes shooting on the street very appealing, I love how I can be shooting a model outside a store, then 10 seconds later I'm haggling with sinister looking characters in a back alleyway over whether they should allow their portrait to be taken (every time I do that, I have so far had no problems at all, I even take these guys prints back and they are actually very friendly towards me - like everything in life, its all about perception, if you act scared or threatened, generally people will react accordingly, reassure them and yourself that you are doing nothing untoward, and you won't go far wrong...just keep a friend close by to keep an eye on you ;-)).

(Becky and Rocco looking for images around Chunking Mansions)

(Practicing fast focus at 0.95 on a passing taxi...this is how I fine tune my focussing speed :-))

Anyway, more about the lens....I am using it almost daily now, and am finding that I can nail the focus even wide open most of the time, this comes about simply by shooting several hours a day, so I am getting plenty of practice, and am out shooting at every available opportunity with my M9.  I have noticed no focus shift on this lens whatsoever, at any aperture, and once stopped down past f2 it is way sharper than my summilux lens was before (i owned a non-asph version), which was sharp, but I cannot compare with the latest version.

(Gentleman in the alleyway doing boxing training, super friendly guy)

The only downside to this lens as people who have seen it will know is the weight, its a big piece of glass, but thats the compromise for 0.95, need a big hole to suck all that light in, and for me its no problem, I would rather carry this lens and have that option.

 (This giant of a man approached looking wary, after a quick chat, he became a new best friend)

These few pictures show how this lens comes into its own territory, shooting in dark alleyways with only the odd small streetlamp to work with, it just sucks up all the light and gives me fast shutter speeds even at low ISO and makes shooting in this low grungy light a simple task.  None of my other lenses even get close, the M9 is renowned for not having great high ISO quality, so for me this is the answer at night.

(Friendly character inside Chunking Mansions spent 10 minutes telling me the best places to shoot in Delhi!)

I have heard some people mention on my blog about 'purple fringing'....If the focus is off, then sure, you will get that with any lens when shooting into light with high contrast subjects around the edges, you can see from the colour samples here, I have done no 'fringe removals' of any kind, I have simply used '1 click' presets from VSCO film presets for lightroom 4 to give me the tones I desired from the M9 RAW files, I have not retouched the images in any other way.

(Nice chaps from Ghana, happy to pose for me inside Chunking Mansions)

Below is a portrait of Becky, one of my friends who was out shooting with us around the area, I just love the way this lens renders, to me it is a classic style, and it really copes well when shooting into the light and gives lovely lens flare effect that I do not find distracting at all, this is my opinion only of course, but from all the lenses I have shot, I really don't see any problem with this effect here.

(Becky posing with her trusty 5D II, her weapon of choice for photography)

The hub of activity around Tsim sha Tsui gives a photographer so many opportunities, I was actively looking for scenes like this one below last night, trying to find something quirky through glass, using the shallow depth of field to my advantage to help separate the subjects from the background and foreground.

(Shooting candids through the windows)

(Shooting candids through the windows)

Even late at night, all the restaurants are busy and full of activity around Hong Kong...I tend to shoot a lot of stuff at night, theres more shadow and contrasty light around, and usually easier to find interesting 'characters' to shoot around town.

(Chef on a break outside his restaurant - he cheered up immensely when I showed him the image)

After a couple of hours round the back alleys, I headed back to the Star Ferry along Nathan Road, which is always full of interesting characters aswell, whether its someone trying to sell you a copy watch or handbag, to the interesting characters just going about their lives, normally I have had no problem with shooting people in this area, just smile if they see you, and I almost always then engage them in conversation, exchange business cards and send them their photographs, makes getting out and shooting a very social and enjoyable experience, this is my therapy, it keeps me sane!

(Sitting on the fence - again, he grinned ear to ear once i showed him the image)

(Interesting outfit - passer by on Nathan Road)

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Street Photography with Fuji XPro1

NOTE:  All images shot on Fuji XPro1 and Fujinon 35mm 1.4 lens with autofocus only.

We've had our hands on the Fuji XPro1 for about a week now, and starting to get used to it and its nuances. Yesterday myself and a few friends met up in Soho and headed over to Temple Street in Kowloon which is a great little area for street photography with vibrant buzzing markets and even more vibrant characters around the place.

After a short trip on the ferry across the harbour, we walked up Canton Road, which has a lot of the big brand shops and is always full of characters, a great area to warm up before hitting the markets further into Kowloon.  You can always be sure to see hundreds of mainland tourists spending their fortunes around here on designer brands.

This was the first full day of shooting the XPro1 in this environement for me, and using only the 35mm 1.4 Fujinon lens in full autofocus mode (I believe the manual focus with the fuji lenses is totally useless as its fly by wire only), which means there is no tactile connection between you and camera/lens...its way too slow.  If using manual focus with other lenses such as the Leica lenses, its brilliant, I don't know why they insists on developing a fly by wire manual focus system, it really is completely unusable in my opinion unless you use it exclusively for 'zone focussing'.

So, I decided to shoot everything with autofocus.  There has been much debate about the AF capabilities of this camera in light of the X100 problems.  I can say this....yes, its not perfect, however, it is pretty fast (if the camera is kept awake) and it nailed 95 percent of my shots without a problem.

I shoot very fast when in the streets, so normally i use zone focussing, so using AF was almost a step back for me, however, I think this environment was the perfect test for this camera, as I believe many people are looking at the Fuji as a viable street photography/travel photography replacement for their DSLR or even as an alternative to the Leica M system such as M8/M9.

I shot everything in RAW, converted via the Fuji software supplied with the camera, then edited in Lightroom 4 using VSCO film presets set to Kodak Portra 400 for all images other than the black and white conversion using Niksoft Silver Efex Pro 2.

A quick note on the VSCO film presets - If you are looking for a good film emulation preset for lightroom, then look no further, these really are good, I have hundreds of presets and I keep going back to these ones, I believe they are the most realistc set available, and I am eagerly awaiting a specialist set from the for Leica and who knows maybe a Fuji specific set also, as they tweak camera calibration settings in RAW also, not just basic adjustments, they have camera specific versions for Canon and Nikon already, as well as a generic set for other cameras for now, and they have promised to release Leica specific profiles, which I hope to get my hands on as soon as possible.

The markets around Temple street - as you can see from these pictures have a diverse mix of characters.  Although its probably classed as a 'tourist friendly' area, there are still a lot of things going on behind the scenes here, with triad activity and in particular prostitution clearly visible on the streets even in the middle of the day.  Any photographer visiting this area should be aware that most of these girls will react quite adversely if photographed....some are friendly of course and don't seem to mind....however, if unsure, then my advice would be just stay well away from shooting anyone you think may react negatively.

I noticed many muslim girls around the markets when we were shooting, so approached them to ask permission to take their picture as they were wearing some great colours.  All of them were more than happy to be photographed.

The Autofocus on the Fuji had no problem at any stage with shooting a diverse mix of subjects, and as the image below shows, shooting into the sun, (sometimes difficult for autofocus), there was again no problems with the performance.

Two of the young ladies accompanying us on this 'photo walk' were Becky and Cheryl, both previous attendees of the street photography workshop, Becky was keen on shooting her 5DII using zone focussing to get her shots, whilst Cheryl preferred to use her new Canon S100 (I think that's what it was), for speedy and discreet street shooting.

This gentleman below was a great subject I thought, he was just squatted on the road, laughing continuously, and was more than happy to be photographed.  I noticed on closer look that he had a cigarrete in one hand and 3 spares in the other!!! Thats what I call chain smoking!.

The only lens that I used during this trip was the Fujinon 35mm 1.4, which so far I must say is a great lens (as long as not using manual focus - way too slow), normally I shoot much wider for street photography and closer to my subjects, but this seemed to work well on this day for me.   I keep emphasising about the autofocus - and again you can see from the image above, quicky focussing on the cigarretes on the bottom left corner of the frame, it had no problem locking on and giving me the desired focus point.

The total time we were in the markets was only about 2 hours, and I found the camera consistently delivered the results I needed.  I have tried this camera with a Leica M mount adaptor and the 35mm F2 ASPH lens also, and the results were quite spectacular, very clean and sharp images, very easy to focus using the EVF its really great with an M mount lens for this, my wish would be that it had 'focus peaking' similar to the NEX-7, then there would be no need for me to zoom in to fine tune focus using the rear dial, especially with wide lenses as its a bit harder to fine tune the focus than with a longer focal length lens.

This fantastic gentleman was more than happy to let me take his portrait and yet again the fast performance of the Fuji XPro1 had no issues nailing the shot for me.  Something else I have noticed is that the metering system of the camera seems to overexpose about half a stop most of the time...I consistently left the camera set to -1 or -2/3 to get more accurate exposures, but this is not a problem for me, I just think it takes a little bit of practice, figure out where all the buttons are (there are a lot on this camera that are easy to press by accident...) then it will be fine.  It's just like any other camera tool, we need a bit of time learning our way round it, and then there won't be any issues.

Overall I am very pleased with this camera when using it for street photography.  Being a similar size to my Leica M9, the feel was quite similar and I believe its a perfect size for this style of photography.  People aren't really intimidated by a camera this size compared to a DSLR with a big zoom lens, its ultra light (maybe feels even a little too light for me - again i'm comparing the the tank like construction of the Leica which many won't like).

So my final thoughts are as follows:

Recommended for street photography - A BIG YES.

Recommended to switch if you already have a Leica M9 - personally NO, but I think many will....

Recommended for manual focus with Fuji lenses - NO WAY!

Recommended for manual focus with M lenses - YES, REALLY WORKS GREAT.

Recommended for anyone wishing to switch from DSLR or looking for travel photography camera - YES YES YES.

So, I won't be swapping it for my Leica just yet....but I can still highly recommend the camera, its ergonomically great, looks the part, and I personally haven't had any serious issues with autofocus.

I have another blog post using this camera at night with a 50mm 0.85 lens from SLR Magic, if interested to see the image from that, please click here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

SLR Magic 50mm 0.95 on M9 daylight samples

(Leica M9,  1/750th, F0.95 @ ISO 400) (click here to open large size image, or right click 'save as' to download)

So, I've been using the SLR Magic 50mm 0.95 lens for about a week now, mostly in low light situations in with plenty of neon and street light, and it performed really well so far, however, I wanted to try it out in daylight also to see how it looks.

The weather in Hong Kong has been pretty bland the last week, so i didn't need to use an ND filter with this lens, even wide open during the day (its really that dark here!), so I could shoot at ISO 160 or 200 during the middle of the day without a problem and still get 0.95 at around 1/1000 or 1/2000th of a second.

(Leica M9,  1/200th, F0.95 @ ISO 400) (click here to open large size image, or right click 'save as' to download)

I have posted links to larger size files below the images this time (as I've just figured out how to do it on wordpress), so feel free to click the links and download a higher resolution file to check out the details if you so desire.

Again, as stressed in my other posts, I don't care for technical details, when I use any lens or camera I just care what the files look like coming out the other end, and in this case, I can honestly say, I have a new found love for bokeh!....I haven't used a Noctilux 50mm, but I know several people who have and who own them and we have compared some of the files, and in my opinion, for the price that this lens will sell for, there is ZERO competition, this thing just performs, plain and simple.  I am not sponsored by SLR Magic, nor am I paid to say these things, I will tell you how it is, good or bad.  I have used the Voigtlander 50mm 1.1 lens, and as nice as it can be for the price, the way it renders out of focus areas is not comparable to this lens, it looks like paintbrush bokeh, where as this looks like 'cream'!

(Leica M9,  1/4000th, F0.95 @ ISO 200 - no adjustments whatsoever to this image, straight from RAW) (click here to open large size image, or right click 'save as' to download)

I have noticed shooting at night a few issues with colour fringing when shooting directly into artificial light, in my experience, this is completely normal for a fast lens, and I had worse issues with my Canon 85mm 1.2 lens wide open.  I have noticed more issues on the Fuji XPro1 with this lens than with the Leica M9, the M9 has been quite minimal, and these daytime shots show that there is no problem, the above shot was taken around midday, and this one in particular I was really lucky enough to nail the focus bang on, if you look at the full size file, this has been untouched, just exported from RAW to full size JPEG, and really it shows the capability of this lens well in my opinion.

I have also put a few lower light shots from either inside a shop or at dusk so you can really see that fringing is not a big problem at all with this lens, again these images have had no manipulation.

(Leica M9,  1/1500th, F0.95 @ ISO 400 - no adjustments whatsoever to this image, straight from RAW) (click here to open large size image, or right click 'save as' to download)

(Leica M9,  1/350th, F0.95 @ ISO 400 - no adjustments whatsoever to this image, straight from RAW) (click here to open large size image, or right click 'save as' to download)

(Leica M9,  1/180th, F0.95 @ ISO 600 - no adjustments whatsoever to this image, straight from RAW) (click here to open large size image, or right click 'save as' to download)

Shooting directly into the sun at the 'golden hour' can be a problem with any lens, so i thought I would try that also with this one and see how it performed, the following 2 files were shot that way, were very hard to focus for me due to using a rangefinder shooting into the light, but these particular 2 were pretty much there i thought, i love the combination of this lens and the M9...the colour rendition was superb and especially in the light at this time of the day, they looked great to me straight from camera.

(Leica M9, shooting directly into backlit sun, 1/2000, F0.95 @ ISO 400) (click here to open large size image, or right click 'save as' to download)

(Leica M9, shooting directly into backlit sun, 1/1500, F0.95 @ ISO 200) (click here to open large size image, or right click 'save as' to download)

The remainder of shots here were shot just before the sun went down, so there was a great light around the area I was shooting.

(Leica M9, 1/1500, F0.95 @ ISO 640) (click here to open large size image, or right click 'save as' to download)

(Leica M9, 1/2000, F0.95 @ ISO 400) (click here to open large size image, or right click 'save as' to download)

Of course the focussing is very difficult to get right every time with such a fast lens, but I feel I am well practiced with a rangefinder so I am not struggling too much with it so far and have had no backfocus or front focus issues as yet to speak of.  All I can say if you are considering this lens, especially if you intend to use it on an M9, then download the large size images, I think they speak for themselves, its really a great piece of kit that I am very much enjoying, and looking forward to more shooting with it, no matter how little light is available!

We did an initial review on this lens last week, the link to that is here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Eric Kim Street Photographer - Hong Kong (VIDEO)

Eric Kim was recently in Hong Kong running a street photography workshop in partnership with F8 Photography.  After the workshop we had a few days to go around town shooting and on the last night we decided to catch Eric's thoughts in a short interview to get his opinion on how the workshop went and also ask a few other questions about his views on street photography in general.  There is footage of the workshop and shooting in Hong Kong mixed in with the interview.

F8 Photography continues to run photography workshops and training in Hong Kong and Cambodia and lots of student reviews and workshop information is available on the website and our blog which can all be seen via this link.

Special thanks again to Will Gell for supplying the background music, and to Nate Roberts for asking the questions and Trevor Smith as 'soundman'.

Here is the video: (can watch in HD on Vimeo).

http://vimeo.com/38560897

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Guest post: Shooting film in Cambodia (Rocco)

Note:  This post is written and all photos by Rocco Paduano who attended both our Street Photography and Cambodia workshop over a period of two weekends.  Rocco is partial to film cameras as well as his digital M9, this trip he took both, this is his story. - Gary Tyson, Director F8 Photography.

(Playful children jump onto our Tuk Tuk, Leica M9, 35mm)

It was with great anticipation that I awaited being able to spend five full days in Phnom Penh along with Gary Tyson from F8 Photography, Ranjit, and Trevor Smith on a travel photography workshop in Phnom Penh, Cambodia.

(The author, Rocco Paduano in Phnom Penh)

As a veteran of the Hong Kong Street Photography workshop, which Gary organised with Eric Kim, I could not wait to put some of the knowledge gained to test in and around Phnom Penh.  However, I did not want to just document random images of life in such a colorful city.  I wanted to be able to tell a ‘story’, and somehow begin to build some consistency in the types of pictures I was producing therefore I am hopeful that I am moving in the right direction.

(Taking a break from reading lessons at a local Wat for a photo, Leica M9, 35mm)(Giving back pictures was priceless, Leica M9, 35mm)

Cambodia is a daunting place to say the least.  As one of the poorest South East Asian nations, ravaged for the better part of the 20^th century by different conflicts, it was witness to one of the single most brutal acts of genocide humans ever inflicted on each other.  One reads about the rule of the Khmer Rouge between 1975 and 1978, and one can only imagine what the Cambodian people had to endure in the name of totalitarian ideologies.

(Pictures of genocide victims at Tuol Sleng S-21, Leica M9, 35mm)(Interrogation room at Tuol Sleng S-21, Leica M9, 35mm)(Confinement cells at Tuol Sleng S-21, Leica M9, 35mm)

However, today the country is young (approximately 50% of the population is below 22 years of age), full of hope, and full of smiles.  As photographers seeking to hone our skills and to explore a life beyond our own, we were always welcomed with a smile and a “hello”, mostly by people living on the fringes of society.

(Young child from a poor neighborhood near Phnom Penh train station, Leica M9, 35mm)

I originally envisioned doing most of my shots in black and white, in good old ‘street photography’ style.  However, I soon realized that ‘street photography’ takes on a whole new meaning in Phnom Penh.  People pose for you.  They want their picture taken, thus making the whole notion of ‘street photography’ much harder to define in the usual context.  We migrated towards a photographic style that was more ‘documentation’ (or as Gary would call it, ‘environmental portraiture’), than candid ‘street photography’.

(Street fruit vendor, Leica M9, 35mm)

Amazingly, while shooting in poor neighborhoods, we all realized that we were inundated with color.  From the shadows cast in tight alleyways, to the color of the unpaved roads, and that of the clothing worn by the people, it did not seem as if we would be doing any justice by capturing these images in black and white.  I shot digital with an M9, and film with an FM3a.  Although I took many shots with the M9, I found that the pictures that talked to me the most came from the FM3a.  Color slide and black and white films have characters of their own and add a unique personality to the image (assuming the exposure is correct).

(Making sarongs the old fashioned way, Nikon FM3a, 50mm, Kodak BW400CN)

(Old villlage woman, Nikon FM3a, 50mm, Kodak BW400CN)(Ferry boat hand, Nikon FM3a, 50mm, Kodak BW400CN)

 Our trip started out just right, as we congregated at the Foreign Correspondents’ Club along the Mekong River; a place that has hosted numerous war photographers as they documented Cambodia’s turbulent history.  There was no shortage of inspiration as the walls of the FCC are covered with past and present images of Cambodia and its people, through war and peace.

(The author Rocco (right) with RJ in the Tuk Tuk out looking for photo opportunities)

(Gary and Ranjit taking a break with the Captain whilst crossing the Mekong, Nikon FM3a, 50mm, Fuji Velvia 50)

With that, we embarked over the next five days into outings that would surround us with a reality somewhat foreign to us.  Between poor city neighborhoods, Wats and Buddhist monks, villagers and farmers on the outskirts of the capital, there was no shortage of smiles, new friendships, and plenty of experiences.  There was, however, a shortage of photo paper and photo ink, which was rectified by a quick visit to the local Canon supplier.  Being able to give an instant print of the pictures we were taking allowed us to give something back to the very same people that gave us so much visual inspiration.  It brought them closer to us, and allowed us to establish a connection with them even through our language barriers.

(Young monk, Nikon FM3a, 50mm, Kodak Elite Chrome 200)(Young village siblings, Nikon FM3a, 50mm, Kodak Elite Chrome 200)(Saffron tunics, Nikon FM3a, 50mm, Fuji Velvia 100F)

 Shooting in Phnom Penh was a totally new experience as to what I have been used to lately.  In Hong Kong people are less likely to pose for you, or even take the time to pay any attention.  Thus, ‘street photography’ takes on a different style; furtive and stealthy, candid and more likely to be black and white.  There are a lot less smiles in Hong Kong, and a lot more chances of a ‘confrontation’ with someone that does not want their picture taken.  It is a stark contrast to what we were faced with in Phnom Penh, where people with relatively little smiled and were happy to share a sliver of their lives with us.

(Old village man, Nikon FM3a, 50mm, Fuji Velvia 100F)(Proud father, Nikon FM3a, 50mm, Fuji Velvia 50) (A great way to end the day! Nikon FM3a, 50mm, Fuji Velvia 50)

As we returned to Hong Kong, I am sure all of us contemplated the past five days.  Phnom Penh and its people certainly left a mark, and gave us a different perspective even on our own reality.

Final note from F8:

Gary, the Director of F8 has also written a blog post about his experience, that can be seen by clicking here.

Another of the workshop attendees, Trevor, has also written a blog post about his experience, you can read that here.

Also, Gary's assistant RJ wrote a blog post about the same trip, that can be found here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Guest Post: My Cambodia experience (Trevor)

Note:  This post is written and all photos by Trevor Smith who attended both our Street Photography and Cambodia workshop over a period of two weekends.  Trevor works in Saudi Arabia so had a long journey to be with us, this is his story. - Gary Tyson, Director F8 Photography. (The eyes are the window to the soul...)

After a weekend with Gary Tyson of F8 Photography and rising street photographer Eric Kim on their street photography workshop in Hong Kong, I was brimming with confidence and keen to test myself armed with new skills as well as explore  a different country which is recovering from an extremely brutal past.

Flights all booked and kit checked we were all set, but sitting in Gary’s office waiting to go to the airport....the flight time was approaching fast and Gary, the consummate professional had to tie up any lose ends before the trip, which almost made us miss the flight, so a mad dash to the airport started off the adventure to Cambodia.

The plane doors opened on the airstrip in Phnom Penh onto a sweltering heat that smacks you in the face.  Eventually through Immigration, customs and red tape we fall out into the night heat and manic road system towards our hotel.

(Weather and light was harsh for many landscapes but I tried where I could)

An early rise the next day for a full days shoot, bright eyed, bushy tailed and excited. After a typical English breakfast (you can take the boy out of England but not the …. Well you know).

Gary recalled what was to be our trusty and faithful Tuk Tuk (Motorbike/Mopeds with carriage) driver (Gary has used him many times on his previous exploits), his orders were find us a typical riverside shanty village along the Mekong.

From his vast experience as a Photographer and many visits to Cambodia, Gary briefed us as to the type of photos and the kind of reception we could expect along with all the technical jargon my tiny brain could handle.  Sam (our Tuk Tuk driver acted as translator, explained our presence and intention and always asked people if they minded us photographing them, normally with a promise of a print for them to keep).

(A motley crew...Rocco, RJ, myself and Gary from F8)

It was hugely daunting for me (as well as I suspect for the village dwellers), we were swamped by laughing, excited kids and curious, smiling, coy adults wanting their photos taken by these funny looking people, most are happy to see their face on the LCD screen as this is the closest they will be to being on “TV”, so they were astonished when we gave them a printed photograph.

(kids and villagers around Phnom Penh and Mekong Island)

Two hours whizzed by as did a whole pack of photographic paper used on the portable printer Gary brought along. Photos were dished out to old and young alike and each one was received with pure delight and excitement (what a great idea and a great piece of kit the Canon Selphy 800 printer is).

(Every travel photographer should have one of these printers at all times!)

Back at the hotel we swapped stories and compared images, had lessons on Lightroom and Silver Efex Pro 2), post processing (editing if you prefer), in essence this told Gary what he needed to know about our individual strengths and weaker areas which he could mentor us on, one to one throughout the next few days shooting.

(local villagers greeted us with friendly curiosity)

The next few days were photos, photos and more photos with visits to different villages, markets and pagodas. We also took some time to visit the infamous and very solemn S21 prison and killing fields which I’m not going to dwell on as this was a very sombre experience that contrasts with the vibrance of life now prevalent in Cambodia.

(the infamous S21 prison camp)

One of the days we took a trip to a Buddhist commune, which had lots of homeless people given shelter and food by the monks, this included children that were being schooled when we arrived.  They took (I’m guessing) a welcome break to afford us some photo opportunities.

(children living with the monks at the Pagoda)

Every Buddhist male is expected to become a monk for a period of his life, optimally between the time he leaves school and starts a career or marries. Men or boys under the age of 20 may enter the Sangha as novices nowadays they may spend as little as  1 week or 15 days  to accrue merit as monks. These communes/monasteries are the heart and soul of such communities.

(a very proud child monk)

That particular Monastery was deemed quite “Rich” in comparison to many.  Sam our tuk tuk driver suggested we take a trip onto 'Mekong Island' which was a completely different way of life for both residents and Monks alike much more rural but none the less spectacular and humbling. The moment we arrived (and pushed the Tuk Tuk up the dirt tracked hill) we were greeted by mopeds full (3, 4 and sometimes 5 passengers) of happy, smiling faces that followed us up the track waving all the way and of course riding ahead to tell everyone else. Young and old alike were out waving.

(shooting the kids on the island)

(villagers greet us with Gary from F8 in the background shooting us working)

After several interesting photo opportunities along the way we arrived at the “poor monastery” which looked deserted less a strong looking old man sweeping the courtyard. Sam did his thing and the old gent said it was okay to take photos as long as we asked before snapping someone.  After 10 minutes of snapping the old man we heard youthful giggling coming from just around the corner. Gary led the way and asked the monks (aged around 17 - 20) if we could photograph them upstairs in their accommodation from where they gazed down at us, which was a simple would structure without decoration or paint etc.

At one of the poorer Pagodas on Mekong Island)

Unfortunately the batteries ran out on the printer so we vowed to return the next day with photos (which we took down the local print shop and printed in large format as they were particularly patient with us, taking so much of their time).  We returned with the photos and an offering of a 50kg bag of rice (which we know helps feed the monks and the people living around the monastery). We received a blessing from the main monk (excuse terminology). Further up the track there were female Monks and some field workers which again provided some great photo opportunities.

(I can't beleive he chose the same colour as me...:-))

Before heading back to Hong Kong I thought I better get a traditional shave and haircut!

(street barbers give you the best shave and haircut for 2 US dollars!)

Then it was time to fly back to smoggy Hong Kong came far too quick and although I cant put my finger on the reason why, I was very sad to leave Cambodia.

I was completely blown away to see such poverty and yet the amazing people therein, always had a smile and warm greeting as long as you were willing to spend the time of day with them.  A note here is DON’T JUST ARRIVE, SNAP AWAY AND DRIVE OFF AGAIN, its not polite and they are humans with their own pride and feelings regardless of their situation. Great people that have suffered much and continue to do so, but they are amongst the friendliest I have ever come across.

I left Gary in Hong Kong to fly back to Riyadh, Saudi Arabia via Singapore which gave me much time to reflect on the previous weeks, Hong Kong and street photography, Phnom Penh and environmental photography along with the people (both photographers and the photographed).

I have to say I have been lucky enough to travel extensively, been on many courses/workshops and had many memorable travel experiences but this was by  far the best experience.  So a big thanks to all but a massive thanks and huge thumbs up to Gary Tyson and F8 Photography.

Roll on the next trip……..Vietnam?? Hmmmm :-)

Final note from F8:

Gary, the Director of F8 has also written a blog post about his experience, that can be seen by clicking here.

Another of the workshop attendees, Rocco, has also written a blog post about his experience, you can read that here.

Also, Gary's assistant RJ wrote a blog post about the same trip, that can be found here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

EXCLUSIVE: SLR MAGIC 50mm 0.95 on M9/XPro1

(Watch seller - Kowloon - Fuji XPro1, JPEG FINE) UPDATE:  I made some comments about the white balance on the Fuji not being so great later in this post - I retract that statement as I had the camera set to VELVIA mode, so the colours are naturally boosted, making skintones much yellower than the M9...an unfair comparison, so please disregard anything about colours in the post for now, updated images coming soon with ASTIA/PROVIA film settings and RAW once available.

Its arrived!  The SLR Magic 50mm 0.95 'stealth' edition lens...one of only a few in the world available for testing....and we are lucky enough to be one of the chosen few to put it through its paces.  Unfortunately the M mount version of this lens (featured here) is not available to the public yet, so you will have to wait a few more months to get one, the initial pre-order batch for end of July has already sold out.  I think September 2012 is the next batch so get your pre-orders in quick if you are interested!

Another toy that happened to come along with it was the Kipon M adaptor for the Fuji XPro 1, so we have the exclusive opportunity to be able to show some of the first ever images (if not the first) with this combination.

Effectively on the Fuji (1x5 crop), the hyperprime becomes a 75mm 0.95 lens, great for portraits!..

(My friend Kelly helping out with the lens tests - Fuji XPro1, JPEG FINE)

The shots on this blog post were all taken on day 1, have tested the lens here in Hong Kong on a rainy night only for only about 2 hours, the images will all tell you underneath which camera was used and all are shot wide open at 0.95.  The images shot on the Fuji XPro 1 were in Vivid (Velvia) mode in JPEG FINE setting as we are still awaiting RAW conversion update for Lightroom 4, so is difficult to compare with the excellent RAW files coming out of the M9.

(passer by, Kowloon - Leica M9, processed from RAW)

With the Fuji, there is no focus confirmation, but there is the zoom button which allows very easy focus confirmation at extreme magnification...if anything it zooms too much for my liking.  Personally I found it a lot easier to use just the EVF (i normally hate EVF viewfinders) to focus it and found I could do it quickly and accurately most of the time, even wide open was easier than I thought....this gives a slight advantage over the M9, as with that of course it is always manual rangefinder focus with available light...which is fine during daylight, but much more difficult in low light, the EVF on the Fuji brightened up the scene and made it relatively simple to nail the focus.

(shy laughter, Canton road - Leica M9 processed from RAW)

I noticed Steve Huff did a review yesterday using the lens in bright sunshine with an ND filter, link here, I will be taking his advice and trying something similar myself, although unfortunately the current Hong Kong weather has little requirement for ND filters...its dark by 3pm with this crappy weather! :-(  Maybe in a few days I can get a few images up on the blog with that setup, I have only generally used ND filters either for video work with the 5DII, or with flash to shoot wide open during daylight...perhaps I will try the same with this lens :-)

(shopping, Fuji XPro1 JPEG FINE)

So, heres some more images for now showing both cameras output with the lens.  I must state again as before in all my reviews that I am a 'user' not an analyst, so i don't care much for technical jargon, I just want nice sharp images full of 'pop' coming out the other end of the camera, and both M9 and Fuji are doing that without any hitch whatsoever, I am excited to see the RAW files from the Fuji, as the JPEGs are already amazing....i think in all honesty I am still a slave to Leica though....theres just something magical about what comes out of that camera for me...maybe its the time, effort and money I've invested in the Leica system that hypnotises  me...I have used many many different cameras over the years...but like most M9 users we all agree that when it hits the target...there is nothing quite like it.

(mainland tourists in Nathan Road - Fuji XPro1 JPEG FINE)

(outside Chunking Mansions - Fuji XPro1 JPEG FINE)

(crossing the road - Leica M9 processed from RAW)

(middle of the road - Fuji XPro1 JPEG FINE)

(makeup - Leica M9 processed from RAW)

(man in street - Fuji XPro1 JPEG FINE)

(My friend Kelly again, in the subway - Leica M9 processed from RAW)

(lady in the street - Fuji XPro1 JPEG FINE)

(Kelly full length - Leica M9 processed from RAW)

(lady daydreaming - Leica M9 processed from RAW)

My main observation so far between the two has been colours....of course as stated before, its very difficult to compare RAW files with JPEGS.....so I'm not going to dwell on it just yet....more tests to come as soon as I can get RAW access from the Fuji.

You can clearly see from these samples that the colours on the Leica M9 are far better, much more natural and muted and representative of the natural light when out shooting, the Fuji images are excellent, just need the white balance tweaked for each one (I haven't touched white balance on any of these samples).

Anyway, hopefully this will show anyone that is interest in either combination of camera that they are both very very capable of producing excellent results with this lens, and I am very excited to try more shots, especially during daytime also with the ND filter.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

My first thoughts...Fuji XPro1

(35mm lens, ISO 6400, 1/250th F1.4) I have been back in Hong Kong only a day, and I get a phone call from one of my suppliers....the Fuji XPro1 kit is here....come and collect it and take it for a test drive...of course, like the obedient little boy that I am....i quickly agreed and darted across the river to Kowloon to collect it.

Now something has been tickling my mind...last week I had my best week ever with the Leica M9....totally restored my faith in the beast....however I know the Fuji was on the horizon, and although I don't consider it a direct competitor with the Leica, I have to admit I was scared in case the results from it were so good that I started to question my investment in the Leica gear at some point.

Now I must stress again that I am not a technical wizard nor a scientist of any form....I simply use the camera I have in my hand to attain the best images I can....and the only thing that limits me with the Leica is the ISO..thats it, and even then its mainly because i LOVE to shoot in almost darkness or extremely low light and have found the ISO performance questionable in certain situations.  That will soon be rectified as I will be testing the SLR Magic 50mm 0.95 lens from next week, so will be able to shoot bats in a cave without light i think :-)

Anway, I just wanted to post a few images that I shot tonight and share a few quick thoughts on the Fuji XPro1 having used it on the streets of Hong Kong for only 3 hours.

(35mm lens, ISO 3200, 1/800th F1.4)

Camera settings will be posted under each image, however I will not post full size images for one reason....i dont know how to do it and keep the blog size images at same time! I'm an wordpress idiot when it comes to that, so if anyone can share how to do that on my blog I will happily share links to full size files for them should they want to see them.

My initial thoughts were as follows:

Pros:  perfect body size, amazingly sharp lenses with great maximum apertures, looks super cool (one guy i shot even shouted 'waahhhh LEICA!' after I took his pic, so the Fuji has no problem demanding street cred already as people are thinking its a retro Leica :-), extremely good high ISO performance...shooting in the dark at ISO 25600 and nailing sharp images!

Cons:  Autofocus missed a handful of shots initially...i have almost rectified that problem already by turning on some other autofocus settings that seem to help...I think a bit of practice is needed then it will be fine.  After an hours fiddling around, I was able to shoot in a bar with literally no light, where I could not read the label on my beer and get perfectly sharp focus 9 times out of 10...so i guess its just a bit of practice, time will tell, I've heard many complaints about the X100 focus....so i was expecting problems, but nothing dramatic has occured, simple fine tuning and it seems to be pretty much there already.

Here are tonight's quick snapshots, please bear in mind these are purely test shots for me to try and familiarise myself with the camera in low light...testing focus and high ISO performance.

Following shots all on the 35mm 1.4 (equivalent approx to a 50mm on full frame) 

(no post processsing or adjustments, simply camera JPEGS here)

(Rocco the Leica slave,  1/350th F1.4, ISO 6400)

(Taxi,  1/1000th F1.4, ISO 3200)

(Woman texting,  1/150th F1.4, ISO 3200)

(Happy Couple,  1/350th F1.4, ISO 3200)

(Caught me peeking,  1/105th F1.6, ISO 3200)

The following few pictures were all taken on the 60mm 2.4 lens (again, no post processsing or adjustments, simply camera JPEGS here)

(dinner time,  1/110th F2.4, ISO 5000)

(inside computer centre,  1/500th F2.4, ISO 5000)

The following images were shot in a very very dark bar, i cranked up the ISO straight to the maximum ISO 25600.....heres the results...again, no noise reduction, or post production whatsoever, these are straight from camera.

(35mm lens, ISO 25600, 1/450th, F1.4)(35mm lens, ISO 25600, 1/340th, F1.4)(60mm lens ISO 25600, 1/120th, F2.4)(60mm lens, ISO 25600, 1/170th, F2.4)

Although these images have been shrunk down for blog sizing, hopefully there is enough information to show the quality at least to give an idea...basically as I said already, there is a total lack of noise anywhere at any ISO....I shoot normally Canon 5D Mk II, Canon 7D or Leica M9 and this Fuji blows them all out of the water in a nano-second with regards high ISO performance...if this is the future of cameras to come with this kind of high ISO performance, then I might as well sell my flash units, as I won't be using them much anymore!

I have to say, apart from the tiny niggles with the autofocus I had at the start of the night, overall I am extremely impressed....I ain't selling my Leica gear, its a very different feeling for me shooting a rangefinder over an autofocus camera...but for sure this new Fuji is going to be getting a serious workout over the coming weeks.

My initial advice to anyone who is looking for a lightweight alternative to DSLR where image quality is paramount, or a less expensive alternative to Leica for street or travel photography...I think this camera could very easily fill that gap.

Please bear in mind that I have not tested any other cameras that could be considered competiton....this is just my gut feeling as a photographer who shoots a lot of images on a day to day basis in a variety of situations.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Guest Post: RJ's Cambodia (F8 Assistant)

Note:  This post is written and all photos by RJ Gurung, assistant photographer/trainee with F8.  He has been training with F8 Photography for approximately 6 months, with little previous knowledge in photography before he started in September 2011.  His enthusiasm and passion for photography drives him and has helped him develop a unique and interesting style.  I felt a trip to Cambodia would help him explore his creativity and push his skills further. - Gary Tyson, Director F8 Photography. (The author and photographer - RJ)(RJ with the street kids)

On the 2nd of March 2012, a small group of us took a direct flight to Cambodia from Hong Kong. Upon arrival in Phnom Penh in the early evening, the light was already gone, therefore we took the time to sample some Khmer food and crashed at our hotel.

Pumped up with the excitement to capture some great shots, the next morning we headed over to the poor areas of the city. Our Tuk Tuk driver advised us to visit these areas as we had told him the type of images we wanted to get, and we felt it portrayed the unfortunate living conditions of many Cambodian people.

(street kids in the railway yard)

Poverty is a big issue in Cambodia, another issue was the traffic which was very chaotic on our travels around the city.  On the roads we could see motorbikes everywhere,  even young children that looked as young as 7 or 8 years old were riding them on busy streets, so I decided to practice some techniques and capture panning shots of the motos and I was happy with the results!

(panning shotwhilst travelling by Tuk Tuk) 

Whilst we were visiting the poor areas of town, we witnessed a lot of interesting characters. There were kids playing around, old folks gathered together for their everyday chats and a humble group of people living their life in a very different way that I am familiar with in Hong Kong. We went further inside the slums and started to take pictures when the kids came over and greeted us with smiles on their faces. I must say I had an incredible time taking pictures of the kids at the same time being mesmerized by their innocence and reminiscing my own childhood.

(the eyes are the window to the soul)

One of the shots of this small kid came out to be pretty strong. I feel like the innocence and shyness of this kid twinkles in his big eyes contrasting with his dirty face reflecting his playfulness. The experience in the slums was very inspiring and it didn't seem  right to just walk away from there after taking the picture so I printed out some of their pictures and gave them a couple of dollars as a sign of respect. Overall, it was a remarkable experience for me to see how humble and lively the people in the slums were despite struggling and living their life in poverty.

(giving a print made a big difference)(RJ likes to shoot wide and close with the street kids)

The next day we went to explore Mekong Island, a short boat trip across the Mekong river.  The island has many old pagodas where the monks live, hence being calm and peaceful in contrast to the city.

(RJ shooting on Mekong Island)

In Cambodia, Buddhism is the main religion, so it was no surprise to see many young monks in the pagodas. We took their pictures and gave quite a lot of prints to them. Unfortunately, our printer ran out of batteries at the end of the day so we decided to go back the next day to give them the remaining prints and they seemed really happy to see us again.

(Young monks on Mekong Island)

We also managed to get the blessings from the monks who prayed for us. As a token of appreciation, we gave them a 50 KG bag of rice.

(Offering rice for the monks at the Pagoda)

The island offered some breathtaking scenery.  Myself and Gary climbed onto the roof of the boat when we were travelling to the island so we could soak up more scenery and sun!

(Gary and myself crossing the river on the roof of the boat)

On the return journey back to the city we were lucky enough to see a stunning sunset which gave me a really good feeling and was the perfect end to the day and the trip before we headed back to Hong Kong the following day.

(Gary & I on the boat during sunset)(Sunset over Phnom Penh)

Gary, the Director of F8 has also written a blog post about his experience, that can be seen by clicking here.

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Cambodia - Me & my Leica M9

Note: This is not a technical review of the Leica M9 in any way shape or form, its purely my own view of the experience of using one in the field with the images I shot to support my views, I also comment here about some AMAZING Zeiss lenses that I have been using that should definately be considered if looking for alternative glass for Leica cameras. (Children live along the disused railway line in Phnom Penh, one of the poorest parts of the city - this shot taken with the Zeiss 25mm 2.8 lens, which surpassed my expectations, delivering amazing sharpness and 3D look every time)

So its been 6 months since I travelled to Cambodia and almost as long that I've owned and used a Leica M9 for my street photography in Hong Kong.  On my previous travels I have always taken too much gear, 5D Mk IIs, lights, video kit....the list goes on...

One of the reasons I acquired a Leica M9 was to enable me to travel light and still maintain a full frame camera with high quality as well I guess as taking a step back into retro-land and simplifying the process by using a rangefinder with minimal external functions, other than aperture and shutter...

The purpose of this particular trip was a mini-workshop, teaching a few previous students some 'environmental portraiture' in a photographically rich environement, which was to be the city of Phnom Penh in Cambodia and its surrounding villages and islands in the Mekong river (blog post on their work to follow).

As I was teaching as well as shooting my own work, the Leica gear was a perfect compromise as it enabled me to move around quickly with just one small bag (the thinktank retrospective 5) with all my gear inside instead of the usual large heavy backpacks that I carry full of DSLR kits.

My packing list for this trip was:

Leica M9. Leica lenses: 35 f2, 40 f2, 50 1.4, 90 f2. Zeiss lenses: 21 2.8, 25 2.8 (quite possibly my new favourite lens). external viewfinder for the 21/25 lenses. 2 x batteries. Macbook Pro and external firewire 800 'Lacie rugged' hard drive

(I always use external firewire or thunderbolt drives to store and manage my Lightroom catalogues - it runs just as fast if not faster from an external drive (as long as not USB, and worse case scenario if my laptop were to be stolen I would still have my external drive with all my images (that stays in the hotel safe when I'm not there).

Enough of the technical jargon....below you will find images from the trip that I shot (we were there 4 full days).  All I can say at this point is the M9 far exceeded my expectations, delivering everything and more than my Canon can deliver, and to be honest I think the star bit of kit on this trip was the Zeiss 25mm 2.8 lens....it nailed every shot with some of the best 3D rendering I have been able to produce.

(More kids living in shacks along the disused railway line)(old lady, shot with the Zeiss 25mm lens...amazingly sharp)

One of the most prevalent features of Cambodia for me are the children, there seems to be just masses of kids everywhere, a lot of them living in extreme poverty yet in general they seem quite content, I guess they don't know anything else, so they just cope with what little they have.  Whilst in this run-down part of town, I noticed one child that stuck out more than others, because he was pure white....you can see him in the photograph below right.  I spoke to his mother and father through our translator (both parents were very dark - his mother can be seen in the image looking down on him).  I was slightly confused as to his origins, however they assured us that his dark skinned father was indeed his natural parent, and that the mother had watched some western TV shows and prayed for her child to look that way, and lo and behold - he was born white with light almost ginger coloured hair!

(Children of the railway village, including the 'western' looking child we found pictured here on the right)

We also found some local older girls who spoke perfect english and were happy to admit they worked as 'bar girls' in the red light area of the Phnom Penh, they were also happy to be photographed.  It is an unfortunate fact that in this city for young women living in these areas, this lifestyle is probably by far the most lucrative for them - an unfortunate situation that is probably emulated in many other cities around Asia and the rest of the world.

(working girls that live in the railroad slums)(in the doghouse...)

Although this part of town is extremely poor, it is photographically rich, every doorway and person I saw was a potential photograph, one of our workshop participants felt a little uncomfortable to shoot in this neighbourhood, feeling it was slightly voyeuristic and intrusive.  I can totally see his point and why he felt that way, but I personally have shot in many areas like this all around Asia, and my general feeling is that if you approach your subjects the right way, talking to them first, asking permission, and I also take a small Canon CP800 printer with me and supply them with prints right there and then (the battery on this thing lasts almost a week whilst churning out 40-50 prints a day!!!), then generally its a very positive experience for everyone, probably a novelty for them for some western people to visit, show an interest, give them gifts and exchange lots of smiles along the way.

(giving back a print and some candy to the kids was certainly the best way to gain access for us)

Of course a visit to Cambodia wouldn't be complete without involving some monks or temples...we didn't want to travel to the famous temples in the North around Siem Reap, instead we opted to find some working monks in pagodas around and outside the city on the outlying islands in the Mekong river, so our next day was spent in the heart of mosquito land around the rivers.  We found plenty of friendly working monks who were more than happy to be photographed, we took them a 20kg bag of rice as a gift and that opened up all the doors we needed to get some nice environmental portraits, as well as them enjoying practicing their english language skills with us.  In my experience this has been always the kind of reception I get, other people I have spoken to tell me Monks usually don't like being photographed...I personally have no experience to support that theory.

We also found a muslim area in Phnom Penh, something I had noticed on previous visits, unfortunately people were very reserved and not willing at all to be photographed, everyone I approached either ran away or waved me away, so I respected their wishes and left them alone, I only managed to grab one shot in that part of town which was a young girl who I guess was out shopping for her family, she giggled and covered her face when I spotted her, but didn't seem to mind being photographed so I took the chance and grabbed the shot from across the street.

(young muslim girl in Phom Penh)

On our last day we were finishing up and driving back to get our gear to head to the airport when we noticed a massive gathering of women and children at the roadside.  Our Tuk Tuk driver informed us that this area had a free childrens hospital so everyone was waiting for that...I couldn't resist jumping off and grabbing a few shots from across the street to create a panoramic look then getting up close with the Zeiss 21mm lens as they all seemed happy enough for me to be there...

(the Zeiss 21mm 2.8 performed amazingly on the M9)

So that was it, 5 days travelling around Phnom Penh and the surrounding villages, only the Leica with me this time, and I hope the images above can speak for themselves...with a few different focal lengths this kit was much more efficient for me than my bulky gear I normally take...I will be testing the Fuji XPro1 shortly which may indeed give the Leica a run for its money, especially given the incredible price difference and the amazing high ISO performance of the Fuji...(I tried one last night back in Hong Kong so I have seen the results already)...So until next time, I hope you enjoy the images from our travels and they can inspire you to get out and shoot...and if you haven't been to Cambodia already....you are really missing a gem of a place to visit...not to mention Angkor beer is amongst the finest ale I have ever sampled :-)

My assistant photographer RJ has also written a blog post about his experience, that can be seen by clicking here

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

SLR MAGIC 50mm 0.95 Hyperprime (FIRST LOOK)

(First shots wide open  in Lan Kwai Fong) Anyone that shoots Leica M cameras may have heard the buzz that is going around currently about this new 50mm lens that is due to come out later in 2012.

We were lucky enough to meet Andrew Chan from SLR MAGIC who let us have a play with a prototype lens here in Hong Kong for a few hours.

Something I must state up front is that firstly I am in no way affiliated with SLR MAGIC or Leica, so my opinion is completely unbiased.

Secondly, I have never even touched a Leica Noctilux lens, which of course is the only other lens in this category (unless you consider the Voigtlander 50 1.1), and to which people are comparing this lens, therefore I cannot compare quality, bokeh or any other details.

I am only qualifed to tell you what I think as a working professional and extremely passionate street photographer my views on what I thought about the lens after an hour or so of playing with it.

Please note that none of the pictures here have had any sharpening applied to them, only minor colour and tone adjustments.

We met Andrew in Lan Kwai Fong in Central, a great place to shoot in low light as there is plenty of street lighting, alleyways and of diverse characters to shoot.  Also that night it was raining which added a certain ambience to the light.

I was running a street photography workshop with Eric Kim from LA this last weekend so he joined us and posed as my subject for a few of my first test shots, which have now landed as his profile pic on his website and facebook page:-)

We will be running many more of these street photography and travel workshops regularly by the way for anyone interested, check our website here (apologies for the quick plug to my own business..:-))

(Eric Kim posing for the hyperprime...focussing was perfectly accurate at 0.7 metres)

I do own a Leica 50mm 1.4 pre-asph lens which is extremely sharp and I am very much in love with this lens, so I wanted to compare the two, not really for sharpness but more to see how big the difference in BOKEH (background blur) was between 1.4 and 0.95 and if I thought the difference was substantial enough for me to consider buying the hyperprime when it is available.

So my first thoughts in brief for this first look are as follows:

1.  Its damn heavy (as expected), its a very big piece of glass, so this is no surprise...I don't mind this fact, heavy glass means quality as far as I'm concerned.

2. The build quality feels great, very very solid...I love the smooth 'no click' aperture ring...very very cool, and lovely built in sliding hood and screw on lens cap.

3. Its gonna be expensive...nowhere near as expensive as a Noctilux of course, but its gonna be a lot more expensive than the Voigtlander 50mm 1.1 (I have used that lens, and unfortunately I'm not a big fan of that particular lens although for the price it is still very acceptable for many people).

4.  The BOKEH is AMAZING!!  Yes, I compared it to all I had available...which is a 1.4 and of course there is a big difference between the two.

5.  Its damn SHARP wide open....I took about 100 shots with it, all wide open...and found about 90% of the shots were pin sharp where I focussed, I am sure any mis-focussed shots were only down to me, not the lens.

(Eric Kim  in Lan Kwai Fong)

Please bear in mind that I am not a technical guy...to be honest, none of my Leica lenses are coded, I don't notice any problems or differences between other lenses that are coded that I have used, maybe I'm lucky, or just ignorant...I don't look that hard, I just want to make strong images, and I'm more concerned with my subject matter.  I don't get too excited about whether a lens has a very slight vignette effect, MTF charts or slight barrel distortion...I'm a photographer...not a scientist :-)...Most imperfections in my opinion (especially vignette or barrel distortion can be fixed in Lightroom 3 in about 2 seconds, and even quicker if u set up a lens profile preset that if you had any issues, so could easily be fixed on import without ever having to do anything).

Just to note on my previous paragraph, I didn't see any vignette or distortion with this lens, but i didn't test it for these factors either, as I said I tested it as a photographer who shoots low light portraits and street photography.

To summarise, are these very few points that I have addressed enough to make me want to buy one?....the short answer is YES...I want one NOW.

I will be contacting Andrew at SLR Magic to get my name on the list...I will buy one as soon as they are available...not because I'm a gearhead (that's debatable among my friends :-)) but purely because I LOVE to shoot in very low light...I love BOKEH....and I love to save a bit of money where I can...there's no way I can afford a Noctilux...the Voigtlander 50mm 1.1 is not in the same league in my personal opinion.....so this is where SLR MAGIC is going to fill the gap with regards price...but with quality I suspect they may well overtake the Noctilux....I really can't fault this invention and I hope the production copies are as accurately calibrated as the prototype I played with.

The camera world is very exciting at the moment, and I'm very positive about this lens and am sure its going to be a great success.

Here are a few other images shot with the lens, all wide open on the M9.

(Me, photographed by Eric Kim at minimum focussing distance)

(shot wide open from a bit further back..)

(wide open, shooting through my friends with background about 10 metres away.)

(black and white conversion)

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

BTS with Metro Vocal Group (VIDEO)

 

In October we were approached by Metro Vocal Group to shoot promotional images for them and help produce their new album design.

They really liked some of our previous ‘grungy’ HDR portraits that we had done and were very keen to emulate this style, so we went ahead with this concept to help promote their new ‘more funky’ image for the group.

The ideas consisted of shooting several portraits of each member of the group using 3 point lighting.  The purpose of this is so that light is coming from all different directions, this helps when making composite images.

Because of the setup required for this, we were able to do the shoot in the comfort of Metro’s own studio, so minimal disruption to them, and luckily our offices are only a few minutes apart in Central.

Once we had the portraits shot with the 3 point lighting, we did a few outdoor shots in the street below their studio so we had some variety of images.

Then we just needed to shoot several HDR backdrops from around town to use as backdrops for the composite images and put it all together in photoshop.

Below is a video showing a quick edit of the day of the shoot and a few of the images also.

We had great fun, great bunch of guys and look forward to seeing the finished CD designs in early 2012 and hearing the new album!

http://vimeo.com/34062983

For more information on Metro Vocal Group, check out their website here

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.

Vibram HK100 Ultra-Marathon Event

It was 4am on Saturday morning....the alarm clock was ringing loud....it was time to get up, travel north to the mountain areas of Northern Hong Kong and get ready for a very very long day of shooting the HK100 ultra-marathon event.  27 hours later at 7am the Sunday morning, we finally stopped shooting and packed up our cameras, having shot over 2000 images, and headed home for what we thought was a well earned sleep!  Of course our task was nowhere near as difficult as the participants, who had to run, walk and crawl 100km across some of Hong Kong's infamous peaks and trails, with a total elevation change that equates to twice the height of Everest! (Ryan Sandes - Winner HK100 2012 in a new record time of 9hrs 55 mins!!)

Our job was to record the action, the drama, the emotion and the glory of the event, and we hope we have done so to the best of our ability.  We would like to share a few of our pictures here so you can see the diversity of the participants, their pain, their pleasure and really just an overall amazing experience for everyone who took part.  We started off as expected at the start line, capturing the pre-race nerves and party-like mood of most of the participants, which was great to see, given the fact the next 24 hours of their lives was going to be painful!

(this guy on the right about to run 100km across rocks with no shoes on?!? Must be crazy!)

We were astonished to find one runner who was doing the event with NO shoes....and even more amazing was the fact that he was among the front runners as we travelled around the course! Here's some images of him in action at the 36km mark...as you can see from his facial expressions, I'm sure he would rather have some nice running shoes on...haha....we have to applaud his courage...or is it insanity?!

(slow sync flash with the Canon 5DII and 24mm mark II prime lens)

We used a combination of Canon 5DII's with wide prime lenses and slow sync flash to capture close up action as well as a couple of 7D's and long lenses which were perfect for sports with their fast drive and autofocus.

(the two Nepalese runners who led the way for much of the race, eventually coming 2nd & 3rd)

The course was extremely well marked and manned by the hundreds of volunteers, with checkpoints being very welcome breaks for the athletes, and a good opportunity for refreshments, fixing feet and catching up with loved ones.

(smiles all the way to the finish line)

Every part of the course we covered, people were ecstatic, smiling, screaming and thoroughly enjoying the experience...to be fair, at the finish line most people were much quieter by that stage having spent a very long day and night on the hills.

(high ISO in the middle of the night - no problem for the 5D mark 2)

The Canon 5DII again came into its own during the night, with its great high ISO performance, allowing us to capture some nice moody black and white images lit usually only by headtorches and the occasional lamp.

(5D mark II with fisheye lens and slow sync)

After 25 hours of photography, I thought it was time to break out the fisheye lens and try to get some shots with that, so it was a case of lying down on the floor underneath the small flags at the finish line, trying some rear sync flash and getting extremely close to the runners as they came across the line, this gave a dramatic effect which I like...similar to a lot of my styles of photography, i really believe the old saying "if its not good enough, your not close enough....".

(James the videographer from Mededs with Gary, RJ taking a break and in action during the night)

In the end, we packed up our kit at first light on Sunday, and headed home, a great experience for us, made me reminisce of my army days being stuck out on a mountain all night, but its all part of the fun, great event, great people, and we hope we have done it justice with our images.  We look forward to next year, where we will ensure Starbucks has a takeaway truck parked up the top of Tai Mo Shan for us :-)

Thanks for taking the time to visit our blog, if you like our blog and website, please ‘like’ us on our public Facebook page and share this story with your friends with the Facebook and twitter links below.  You can also subscribe to our blog via the RSS link below.

F8 Photography provides commercial photography and training across Asia, with workshops on Street Photography and other photography and video training courses, more details can be found via the ‘courses and workshops’ link and upcoming events via the front page of our website.